Monday, 1 April 2024

Spot the MIDI!

In my younger days, I spent so much time experimenting with the PSR-5700 (which I would ultimately give away during the 2012 Escapade 2 sessions) that after all these years, I can still clearly remember exactly which MIDI instrument is which.  Therefore, I thought it might be fun (and maybe instructive?) to listen to Escapade straight through, making a complete list of the General MIDI sounds used in every song.

Technical note: I count my MIDI instruments from 1-128, not from 0-127 as some do.  This was the numbering system used in both the interface of the PSR-5700 and in the software I grew up with.

Left to right: Acoustic Bass, Synth Bass 2, Electric Piano 1, Synth Brass 1, Electric Piano 1 again, Recorder, Drums.
I don't currently own any General MIDI-compatible devices so this demonstration was entirely silent.

The instruments on each track are listed below in order of appearance.

1a. March for the Age

  • 39 Synth Bass 1
  • 95 Pad 7 (halo)
  • 89 Pad 1 (new age)
  • 48 Timpani
  • 52 Synth Strings 2
  • - Standard Drums

1b. My Next Escape

  • 29 Electric Guitar (muted)
  • - Standard Drums
  • 33 Acoustic Bass
  • 1 Acoustic Grand Piano
  • 52 Synth Strings 2
  • 25 Acoustic Guitar (nylon)
  • 81 Lead 1 (square)

2. Days to Midnight

  • 15 Tubular Bells
  • 13 Marimba
  • 51 Synth Strings 1
  • - Standard Drums
  • 33 Acoustic Bass
  • 1 Acoustic Grand Piano
  • 30 Overdriven Guitar

3. Modern Art

  • 76 Pan Flute
  • 36 Fretless Bass
  • - Standard Drums
  • 81 Lead 1 (square)
  • 1 Acoustic Grand Piano
  • 52 Synth Strings 2
  • 98 FX 2 (soundtrack)
  • 89 Pad 1 (new age)
  • 104 FX 8 (sci-fi)
  • 127 Applause
  • 82 Lead 2 (sawtooth)
  • 119 Synth Drum
  • 93 Pad 5 (bowed)
  • 15 Tubular Bells

4. What Is Mine

  • 33 Acoustic Bass
  • 89 Pad 1 (new age)
  • 101 FX 5 (brightness)
  • 104 FX 8 (sci-fi)
  • 1 Acoustic Grand Piano
  • 86 Lead 6 (voice)
  • 11 Music Box
  • - Standard Drums

5. Them

  • - Standard Drums
  • 31 Distortion Guitar
  • 89 Pad 1 (new age)
  • 33 Acoustic Bass
  • 98 FX 2 (soundtrack)
  • 17 Drawbar Organ
  • 29 Electric Guitar (muted)
  • 30 Overdriven Guitar

6. Faraway Island

  • 123 Seashore (sort of - used as impulse to filter white noise)
  • 1 Acoustic Grand Piano
  • 51 Synth Strings 1
  • 30 Overdriven Guitar
  • 33 Acoustic Bass
  • 26 Acoustic Guitar (steel)
  • - Standard Drums
  • 18 Percussive Organ
  • 82 Lead 2 (sawtooth)

7. My Last Escape

  • 1 Acoustic Grand Piano
  • - Standard Drums
  • 33 Acoustic Bass
  • 29 Electric Guitar (muted)
  • 89 Pad 1 (new age)
  • 52 Synth Strings 2
  • 25 Acoustic Guitar (nylon)
  • 48 Timpani

I'm particularly struck by how many entries in this list have a program number between 81 and 104 inclusive, or feature the word "Synth".  I think this reflects something I've believed, to a greater or lesser degree, all along: that synthesizers are best used in ways that don't even try to pretend to not be synthesizers.  It's just unfortunate that, combined with what resources I perceived to be available to me back in 2009, this resulted in a completely inappropriate production style for the music I was writing.

Making a similar list for Escapade 2 would be an exponentially more difficult endeavour.  The Jupiter-80 is not General MIDI-compatible, so I had literally thousands of different tones to choose from for every part - particularly the "obviously a synthesizer" parts, and there's rather a lot of those!  In some cases, I can remember the name of what I chose, usually in a "what was I thinking?" context, but there'd also be a lot of trawling through hundreds of lead or pad sounds in search of something I recognize.  I don't think it's worth the effort.

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